Book and theatre review: “Frankenstein” by Mary Shelley

I had my fill of Frankenstein last week – I read the book, saw the play and listened to Derek Jacobi narrating the audio book! My book club selected it as we were looking to read a classic, and, as it happens to be the 200th anniversary of the novel’s publication, it was also showing at the Manchester Royal Exchange Theatre in a new adaptation by April de Angelis.

2018-04-19 11.30.32It is extraordinary to think that this remarkable novel, still as popular and as shocking today as ever, was written when Mary was just 19 years old. The fact that she was such a literary talent is not surprising given that she was the offspring of the two famous intellectuals, Mary Wollstonecraft, philosopher and author of the seminal feminist work A Vindication of the Rights of Woman, and William Godwin, the radical political philosopher. In her lifetime, she was highly regarded as a radical writer and intellectual, as well as being the wife of the poet Percy Bysshe Shelley, whom she met and fell passionately in love with at the age of 17. Her reputation since her death, however, has been overshadowed by that of her husband’s, with whom she bore four children (three died in infancy), whose affairs and financial troubles she endured, and whose poems she edited both before and after his death. Percy Bysshe Shelley drowned at sea in 1822, just six years into their marriage when she was 25. She died at the age of 53 in London from a suspected brain tumour.

Mary ShelleyBy any standards her life was remarkable and in the last few years her reputation has been revived and she has begun to be more widely considered as a formidable talent in her own right, rather than just a ‘one-book author’. Frankenstein has been a staple of English literature GCSE and A level syllabuses for years, but most of her other works have fallen out of print. A new biography, In Search of Mary Shelley: The girl who wrote Frankenstein, by Fiona Sampson was published earlier this year, some of which I caught when it was serialised in Radio 4 recently. What I heard sounded fascinating. Sadly it is not available on the BBC iPlayer at the moment.

Frankenstein is a brilliant book. It’s not particularly long so if you are not accustomed to the classics it is not too daunting. It is extraordinarily sophisticated in the themes it explores, from ideas about religion and creation, the vanity of man (men) and moral relativism. Its structure is also interesting: it is narrated initially by Robert Walton in letters to his sister. Walton is the Captain of a ship which he is sailing to the Arctic in the hopes of making a great discovery about the North Pole. He describes his ambitions, but also his loneliness and need for companionship. He meets an unexpected friend in the form of Victor Frankenstein who is on an unlikely pursuit of a mysterious giant figure which Walton and his crew had previously spotted. Frankenstein takes over the narration and we learn about the terrible events that preceded this chase, from his early family life in Switzerland and tragic death of his mother, his relationship with his cousin Elizabeth, to his university life in Ingolstadt. It was in Ingolstadt that he first felt the pain of academic embarrassment, when his naïve ideas were exposed, and he set out on the extraordinary task of creating a human. Unfortunately for Frankenstein, he did not think it through, and once he realised the horror of what he had done, quite soon after he brought his creation to life, he disowns it and leaves to its own fate while he spends the next few years wringing his hands. Frankenstein’s procrastination is fatal.

For a time there is also narration from the ‘monster’ (relayed by Frankenstein) who manages initially to survive on vegetation whilst concealed in a hovel, from which he is able to spy on a once wealthy but now fallen French family in a small village. From them he learns language and the ways of humans, and hopes that he will be able to become friends with them, as he longs for company. Unfortunately, when he introduces himself to them, his hopes are shattered; they assume from his, presumably horrific appearance, that he means them harm and they beat him and drive him out of the cottage. Disappointed and infuriated, the monster goes in search of Frankenstein, with the intention of demanding that he make him a female companion, with the threat of death and destruction if he refuses.

I will say no more. Though the story is well known, I do not wish to give away any further spoilers for anyone unfamiliar with it. I wanted to finish the book before seeing the play, so I mixed reading it with listening to the audiobook narrated by Derek Jacobi. This was read brilliantly, as you would expect, though I have to say it gives you the impression that both Walton and Frankenstein are older, wiser men when in fact it is their naivety and youthful impetuosity that is partly responsible for the grave decisions both make.

Frankenstein play
Copyright –  Royal Exchange Theatre, Manchester

The play was also wonderful and provided a rewarding extra-curricular outing for the book club! It was visceral, shocking, truly gruesome in parts. I loved the way the complex narrative structure, and the jumping back and forth in time was handled. I also loved the way it was interpreted for a 21st century audience, particularly in drawing out the feminist undertones (Elizabeth is played more strongly than in the book, while Frankenstein is often exposed as foolish). It had thrills, spills and lots of action, and stayed very true to the book, leaving out remarkably little and using some of the really powerful passages (particularly those spoken by the monster) verbatim. It will have been a fantastic bonus for any young people studying it for exams this year.

A thoroughly enjoyable monstrous week!

April Reading Challenge

At last, it’s starting to feel a little more spring-like as we enter April, which must mean it’s time for this month’s book on the Facebook Reading Challenge group.

2018-03-29-10-08-25.jpgLast month, we battled our way through Madame Bovary, some enjoying it more than others, it has to be said. Our theme was a classic novel, and this can be a challenging genre. It can take you right back to schooldays and unhappy memories of working line by line through a text that had no relevance to your teenage life. And if you are out of the habit of reading classic, usually older, novels, the language can feel outdated, and hard work.

For me, the challenge was the size of the typeface in my University days edition! Not only was this a strain on my ‘mature’ eyesight, but it meant that pages were turned less frequently than I am used to. A trivial point perhaps but it gave me an insight into what motivates continued reading, and feeling like you are making progress can be a part of that. Personally, I really enjoyed it – it was all about the writing for me. Just sublime. Irony on a par with Jane Austen. I had forgotten how good a novel it is.

2018-03-29-10-28-24.jpgThis months’s challenge is something altogether different – a children’s novel and I have chosen Memoirs of a Polar Bear by Yoko Tawada. This book first came to my attention before Christmas and I have been keen to read it ever since. It is written from the perspective of three different polar bears: the first , a female, who flees her homeland in Soviet Russia, the second, her daughter, a dancing bear in a Berlin circus, and the third, the most recent, born in captivity in Germany.

The book has won high praise for its Japanese author. It’ll be the second children’s book I’ve read recently that is written, in part at least, from the perspective of an animal (the other being Pax, which I enjoyed enormously), so I’m looking forward to it. I expect it will be one of those books that blurs the boundary between ‘children’s’ and ‘adult’ fiction. Happily.

If you would like to participate in the challenge, do join us on the Facebook group, or if you have read this book and have a view on it, I would love to hear it. 

If you have enjoyed this post, why not follow the blog for more bookish chat. 

Waiting for Spring…

…feels a bit like Waiting for Godot this year!

Tomorrow it’s the Vernal Equinox, the mid-point on the calendar between the Winter and Summer Solstices, when the number of hours of day and night are equal. It may be the official start of spring in meteorological terms, but, here in the UK, it still feels very much like winter! The daffodils in my garden are putting a brave face on it, but we have just had a weekend of snow-related disruption in many parts of the country and the strong winds blowing in from the east mean it is freezing out.

2018-03-19 14.58.03
Spring bulbs are flowering in the sunshine, but it’s freezing out!

It is at this time of year that many of us start to get itchy feet, desperate to get outside after the long winter, and yet the weather is making that quite challenging. I’m keen to blow the winter cobwebs away, but not to get blown away! We have been relatively lucky here in Manchester, in the north west of England, with very little snow settling, particularly compared to other parts of the country. Temperatures look set to improve by the middle of the week.

The downsides of this protracted winter are obvious: less fresh air, less getting out and about, less exercise and more hours with the heating on! I’ve written here before about my reluctance to make New Year’s resolutions, but at this time of year, I start to get some energy and motivation back. So I’m trying this year to see more of the positive in events, to default to ‘Yes’ and to see a glass half full. In that spirit, I’m trying to think about the upsides of this unexpected weather and one definite bonus is more time for reading: I can still justify curling up with a blanket and a book when it’s too cold to go out!

I’ve almost finished Madame Bovary, the March title in my 2018 Reading Challenge, and am looking forward to starting our children’s book for April, which I’ll be announcing next week. After blogging here about my difficulties with 4321 last week, I’ve resolved to give it another go and take it on holiday over Easter. I’m also looking forward to reading my next book from the children’s library, Red Nemesis by Steve Cole, a Young Bond adventure set during the Cold War. Very topical!

What are you reading at the moment?

If you have enjoyed this post, I would love for you to follow my blog by clicking on the subscribe button. Let’s also connect on social media. 

 

 

YA Book Review: “36 Questions that changed my mind about you” by Vicki Grant

This book took me straight back to being a teenager, not so much because I empathised with the central characters, but because reading it felt like a complete guilty pleasure. And I loved it!

36 questions that changed my mind about you imgThe central character, Hildy, is a slightly quirky, slightly awkward 17 year-old. She has two close friends – her best friend is Max, who is gay and fairly camp with it, and her other good friend, Xiu is much more astute, confident and successful in affairs of the heart. She confides in them extensively about her feelings and worries. Hildy has not had a boyfriend for some time and so, out of a degree of desperation signs up for a research programme which is exploring whether it is possible to facilitate a romantic relationship between two people by making them ask and answer a specific set of (36) questions. Hildy’s ‘partner’ in the programme is Paul, who, from the outset, makes it quite clear that he is only in it for the $40 fee and who is a nonchalant and frustrating participant to begin with; where Hildy makes an effort to answer the questions truthfully and fully, Paul is uninterested and uncooperative, and obfuscates throughout. Their first session ends with Hildy throwing a tropical fish at Paul that she had bought for her younger brother on the way to the meeting.

Hildy’s violent reaction to Paul’s behaviour is clearly sobering to him and he contacts her afterwards to apologise. They continue their interaction and to work through the questions via social media messaging and eventually agree to meet. Hildy’s home life is complicated, however; her parents are going through a difficult time in their marriage (she doesn’t realise why at first, although this is revealed towards the end). Her mother is a hospital emergency doctor and her father the Principal of her school. She has an older brother, with whom her relationship is somewhat distant, and a 12 year-old younger brother, towards whom she is very protective, especially as she feels he is suffering most from the troubles at home.

Slight spoiler alert….if you don’t want to know any more about the plot don’t read the next two paragraphs, though I won’t give away the full ending.

Paul also has his fair share of troubles; as their relationship develops, he confides in Hildy that his mother (who was a single parent) died in a car accident when he was young, and that he carries some guilt for this.

A crisis at home means that Hildy fails to make the coffee shop meeting with Paul they had arranged after carefully rebuilding the rapport between them after the fish incident. Since one of Paul’s most hated things is lateness, this causes another major setback. Hildy had no way of contacting Paul because he does not carry a mobile phone. She then has to set about tracking him down, knowing very few actual facts about him.

The usual question of whether the boy gets the girl/girl gets the boy, hangs over the rest of the book right to the final page.

The book has an interesting style, which I think will appeal to the target audience (13-15 year olds), with some chapters written in prose style, while those sections which make up the interactions between Paul and Hildy are written like dialogue in a drama. This writing style variation seems to be quite common now in YA books, I guess because it makes them a bit easier to read for an age group traditionally seen as having more limited attention spans. It does indeed make it an easy quick-fire read.

It is a romance, but it does deal with some of the issues teens face – peer pressure, how to deal with worries at home, social anxiety, awkwardness interacting with others in whom you are romantically interested.

I thoroughly enjoyed reading this book and recommend if your teenager would like something light and unchallenging to read. Will probably appeal more to girls.

How do you feel about your teens reading light romantic novels? Is it okay or do you wish they read weightier material?

If you have enjoyed this post, please follow my blog and connect with me on social media.

Advice wanted on Paul Auster’s “4321” please!

Around the middle of September, the six-book shortlist for the Man Booker Prize, the foremost literary award in the UK, and one of the top prizes globally, is published. I usually clear the reading decks for the next five or so weeks and set myself the goal of trying to read all of them before the winner is announced in mid-October.

Last year, I did pretty well, managing almost five before making my (incorrect!) prediction. Amongst many book bloggers, and reading groups, things become a bit competitive, and some years the books are long and it can become a real slog. In 2016, I struggled to get through Madeleine Thien’s Do Not Say We Have Nothing, which I found very sludgy at first, but thoroughly enjoyed by the end. I finally published my review of it this time last year, about six months after the Man Booker shortlist was published.

Alas, I have beaten that particular record… six months on and I have still failed to complete Paul Auster’s 4321. And this is making me a bit gloomy. It’s not that I’m not enjoying it, I sort of am, but to say it could do with some robust editing is an understatement. I crawled through the first 200 pages (which, incidentally, in a normal book with a normal typeface and normal line spacing would, I am convinced, be at least 300 pages), but I still have 650 pages to go! And it’s been so long since I read any of it that I’ll probably have to go back and start again.

It’s really heavy to carry around – definitely not one that slips in your handbag – and the audiobook is 37 hours long, which would still take me weeks to get through!

So, what to do? The reviews I have read say it’s great, which makes me want to continue, but it also feels like a huge commitment.

If you have managed to finish this book, do you recommend I continue?

Book reviews: Super-readable YA fiction

It’s easy to get young kids reading – as a parent you do all the right things: show them picture books from birth, read to them (honing your animal impersonations as you go!), read with them as they begin their own journey, take them to libraries and story circles and buy them books. But what happens when they don’t want you reading to them in bed any more? What happens when they are old enough to choose electronic devices over books? What happens when they “have” to read books at school they don’t enjoy? What happens when you’re too busy or too worn down to police the mobile phones, the tablets, the games consoles?

These challenges are particularly acute for parents of teenagers – isn’t it hard enough having teenagers in the house, without bringing in yet another source of conflict or disagreement? If this sounds familiar you might want to look into “super-readable YA” books. These are relatively short YA books, with highly-engaging contemporary themes, easy plots with the most succinct scene-setting, and high action. I read a couple recently which I can recommend. What is more, these two have a specific typeface and are printed on paper with limited ‘ghosting’ (where you can see the text on the reverse of the page through the paper) making them highly suitable for kids with, for example, dyslexia.

Grave Matter by Juno Dawson

Grave Matter imgJuno is a widely-published author, Queen of Teen 2014 and member of the LGBT community. The story begins with a funeral, for Eliza, girlfriend of central character, Samuel. Eliza was killed in a car accident in which Samuel was driving. He is grief-stricken and finds himself in conflict with his family, who do not understand his torment. Samuel seeks out the estranged sister of his vicar father, with whom he cut off contact after she began to dabble in the supernatural. Through his Aunt Marie, Samuel enters a world where he can bring Eliza back to life, but at a deadly price.

This book will appeal to teens who enjoy science fiction and fantasy or have tendencies towards gothic themes. There is some light swearing and some fairly gruesome scenes as well as some challenging themes so I would recommend for 15+. It is ultimately about accepting realities and coping with bereavement.

The Last Days of Archie Maxwell by Annabel Pitcher

Last Days of Archie Maxwell imgI found this grittier and rather more challenging than Grave Matter. It would suit teens who enjoy social realism or who may be coming to terms with difficult family relationships or with issues around sexuality. The book opens with Archie’s parents announcing they are to separate. Archie’s sister suspects it is because their father is gay. This is going on in the background, but Archie also has issues at school. He is part of a gang with some of the cooler kids, but who are actually unpleasant bullies. He befriends one of the more desirable girls at school, Tia, about which he is mercilessly teased by the other lads. Tia’s brother committed suicide on the railway line near Archie’s house, a year earlier, and he finds himself telling her that he saw her brother just before the day he killed himself, because she seems to need this to comfort her in her grief. As a result they become close. Thus, Archie finds himself sucked into lying, whilst his own home life seems to be falling apart.

Archie ultimately contemplates suicide himself and this is where (as a parent of a teenager) I found the book very challenging. Spoiler alert: he doesn’t do it! I guess this will be helpful to teens who may themselves be suffering from depression, as we see the disastrous after-effects of suicide for those left behind (Tia’s brother) and how it ultimately solves nothing. Jared, the openly gay school student in the book is a great role-model, confident, self-assured and who faces down the bullies, who are exposed as gutless and superficial. I enjoyed the book, but it’s quite a tough read. There is a lot of swearing and sexual language and references. On the plus side I liked how it looked at relationships from a boy’s perspective, which is quite unusual.

Both the above are published by Barrington Stoke, so take a look at their website for more suggestions for all age groups.

Can you recommend any easy books to get teens back into reading?

If you have enjoyed this post, please follow my blog and let’s hook up on social media.

My top ten literary film adaptations

serving the Oscars is a bit of a guilty pleasure for me. Don’t get me wrong, I’m aware of the froth and fakeness of it all – the ostentatious outfits, the overly emotional speeches, the elitism, the hangers-on – but there is something about the pictures and the footage which just sucks me in. I’m not a film buff, but I do love a film and am always interested in any with a literary connection. This year’s Oscars were a much-discussed affair; I have only seen one of the big contenders (Phantom Thread), but I feel I know all the others having heard so much about them. Oddly, the winner of the Best Film, The Shape of Water, is the only one that I probably won’t be rushing out to see.

Look in the Best Adapted Screenplay category for literary connections; in 2016 we had The Danish Girl, The Revenant, Room, Brooklyn and Carol among the big winners. That was a high point, as this year none of the big winners had a literary connection. James Ivory (so well-known for A Room With A View, Howard’s End  and The Remains of the Day adaptations) won the Best Adapted Screenplay award for Call Me By Your Name, based on a novel of the same name by Andre Aciman. This year, it felt to me as if the Academy Awards were more about the politics than the art.

So, the Oscars make me hunger for a good film based on a book. Here are my top ten favourites, in no particular order. They are not my favourite books (Ten! I couldn’t possibly choose just ten!) they are film adaptations that have stuck in my mind as most memorable and enjoyable – and no doubt in the days after posting this I’ll think of another half dozen that I should have included!

  1. The Wizard of Oz (1939) – based on a novel by L. Frank Baum.
  2. To Kill A Mockingbird (1962) – a favourite book and a favourite film, based on the Pulitzer prize winning novel by Harper Lee. Gregory Peck is just stunning.
  3. Macbeth (2015) – my favourite Shakespeare play, this is a brilliant film that conveys the passion, the grime and the extreme violence in a way that makes the Bard completely relevant to a contemporary audience and very accessible.
  4. Brooklyn (2016) – this was one of the first ‘grown-up’ films I took my two daughters to see (they are now 13 and 11). They have Irish heritage and we visited family in New York City the same year, so it felt highly relevant and they were able to empathise with the story quite deeply. Saoirse Ronan is stunning and it’s just a sheer pleasure to watch.
  5. Great Expectations (1946) – I am a huge Dickens fan and watch most of the film and television adaptations. I usually love them all, but this film is a classic. Directed by David Lean and starring John Mills and Alec Guinness.
  6. Apocalypse Now (1979) – based on the Heart of Darkness, the novel by Joseph Conrad, but relocated to the Vietnam War. The film was directed by Francis Ford Coppola and stars Marlon Brando, Robert Duvall and Martin Sheen. Incredible book, incredible film in its own right. The 1991 documentary about the making of the film is also a must-watch, as it was beset by disasters both natural and man-made.
  7. No Country for Old Men (2007) – based on the novel of the same name by Cormac McCarthy this is a brilliant film by the Coen brothers, though parts of it I watched from behind a cushion!
  8. Wuthering Heights (1939) – possibly my favourite book ever (if I had to choose only one) it is hard to leave this wonderful film starring Laurence Olivier off a best anything.
  9. Gone With The Wind (1939) – haven’t read the book, but I love this film.
  10. Sense and Sensibility (1995) – I couldn’t not have a Jane Austen in my list and this is my favourite. It also stars some of my favourite British actors – Emma Thompson, Kate Winslet, the late great Alan Rickman and Hugh Grant.

Having re-read this list, I’ve just realised what an incredible year 1939 was – extraordinary when you think of everything else that was going on.

 

What are your favourite film adaptations of books?

If you have enjoyed this post, do subscribe to the blog and let’s hook up on social media.