Book Review: “Eleanor Oliphant is Completely Fine” by Gail Honeyman

Eleanor Oliphant is what we would politely describe as quirky. She lives a fairly isolated lifestyle, seeing no friends or relatives. She lives alone in a flat where she was placed by Social Services after leaving the care system. She is a creature of habit, wearing identical clothes each day, and following habitual daily and weekly routines. She works, in the accounts department of a design company, but her lowly position seems out of kilter with her high intelligence. There is nothing especially remarkable about her quirkiness (apart from the fact that she drinks two bottles of vodka every weekend), but her habits mark her out from the usual crowd. In particular she eschews social interaction, is cool, often hostile, to her co-workers, looking down on them, never wears make up or gets her hair cut. She appears to others as someone who doesn’t make an effort, but through Eleanor’s eyes we observe some of the absurdities of ‘normal’ life and there are some real laugh-out-loud moments, for example, when Eleanor goes for a makeover at the department store.

Eleanor OliphantEleanor communicates poorly with others, being rather too literal and pedantic for most people to tolerate and is therefore unable to form effective relationships.  At first, she is not an easy character to love, except that we as readers know a couple of things about her that her workmates do not, and which make us more sympathetic to her. Firstly, we know she drinks herself into oblivion at the weekends: as a reader we are bound to ask what she is trying to escape from. Second, there is Eleanor’s mother, with whom she speaks every Wednesday evening; “Mummy” is controlling, manipulative, cruel, nasty. Eleanor is an adult and yet there is something disturbing about the way she always refers to her parent as a child would (never ‘Mum’ or ‘my mother’). The fact that Eleanor also receives regular monitoring visits from social workers tells us that there is something dark in Eleanor’s past that has contributed to her present quirkiness, but we are not told what.

Two incidents in Eleanor’s life set off a cascade of events that will alter her life immeasurably. First, she encounters and develops a teenage-like crush on a musician. He is the lead singer in a band, well-known in the Glasgow area, lives locally and Eleanor has a remote connection with him as he attended school with a work colleague’s brother. Eleanor decides that the musician is the one she wants to spend the rest of her life with. She fantasises about a romance with him and ultimately marriage. Emboldened by conversations with Mummy, who is all in favour of “the project” (whilst also questioning Eleanor’s worth), she tasks herself with contriving to meet him, including visiting his apartment block, and sets about buying new clothes and improving her appearance, to bring herself up to the standard she anticipates he would expect from a partner.

The second incident is the collapse of an elderly man in the street. The old man is immediately attended to by Raymond, not a co-worker but someone she recognises as working in the same building, and he involves Eleanor and commands her help. Between them, Eleanor and Raymond manage to give the man first aid and call an ambulance. After this, Raymond draws Eleanor into an unplanned friendship. It doesn’t seem to be something that either of them is seeking, particularly. Indeed at first Eleanor is very cool towards Raymond, looking down upon his smoking, his eating habits, his text-speak and what she sees as his lazy dressing habits. But he is warm and patient with her and the friendship evolves. Through Raymond, Eleanor gets a glimpse of what ‘normal’ life and ‘normal’ family relationships can be, with all their faults.

The action takes place over a few months and the pace is measured and authentic. It is ultimately a novel about mental illness, triggered by trauma in Eleanor’s case, and as the story unfolds, and we learn more about Eleanor’s past, so her present, tightly ordered life, held together so flimsily by a set of rigid habits, begins to fall apart. This unravelling may be painful for some readers. The novel echoes that tendency we all have to say we’re ‘fine’ even when we’re not, and Eleanor learns, the hard way, what ‘fine’ means, and how to use that word honestly on her path to healing. There are some dark moments but there is also humour, particularly in the drawing of Eleanor’s character. I found myself laughing both with her and at her, which was, I must confess uncomfortable in the context of later revelations, and caused me to reflect on how we as a society react to those who do not present with an ‘average’ or ‘easily-fit-innable’ personality.

Gail honeymanThis is Gail Honeyman’s first novel and it is a stunning achievement. A thoroughly enjoyable read. In an era where poor mental health, social isolation and dysfunctional relationships seem to have reached epidemic proportions, this novel is both an examination of one person’s particular circumstances and an antidote. Highly recommended.

Have you read this book? What did you think?

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Summer holiday reading suggestions

The 2017 Man Booker longlist was released yesterday and there are a number of books on the list this year which most avid readers and observers of the book world will recognise. A wide mix of well-known and debut authors, women and men, and diverse countries. So, if you’re looking for some summer reading suggestions, you could do worse than browse the list. I’ve only read Sebastian Barry’s Days Without End, which I reviewed here back in June, and which I absolutely loved, but there are plenty of the others in the list that are on my TBR pile, including Arundhati Roy, Mohsin Hamid and Colson Whitehead.

However, I think it is fair to say that when it comes to holiday reading, most of us are usually looking for something a little lighter? (Which Days Without End certainly is not!) Something you can read and enjoy on the beach with one eye on the kids? Something you wouldn’t mind leaving on your holiday rental’s bookshelf? If these are your criteria, I would suggest the following from my most recent reads (the title links through to the reviews).

Firstly, Holding by Graham Norton, which I enjoyed on audiobook (you will too), but which would be equally good as a hard copy and which, for me, is perfect holiday reading. Secondly, Sometimes I Lie by Alice Feeney, a decent thriller which I enjoyed, despite it not being my favourite genre. Thirdly, The Secret Life of Bees by Sue Monk Kidd, which is a lovely life-affirming book.

The Music ShopThere are of course, a lot of titles published in the Spring and early Summer, marketed specifically for the holiday reading market. I’ve been perusing the titles and these are the ones that have stuck out for me. The Music Shop by Rachel Joyce, is a love story set in the 1980s about Frank, a record store owner, and Ilse, a German woman whom Frank meets when she happens to faint outside his shop. It’s had good reviews and Rachel Joyce’s earlier novel, The Unlikely Pilgrimage of Harold Fry, did very well.

 

Eleanor OliphantEleanor Oliphant is Completely Fine by Gail Honeyman is on my summer reading list. Set in Glasgow, it’s about the emotional and psychological journey of a young woman from shy introvert with a dark past to living a more fulfilling and complete life through friendship and love. I’m looking forward to it.

 

 

 

Into the water imgPaula Hawkins’s new novel Into the Water is everywhere, following the phenomenal success of The Girl on the Train which I’ve just finished listening to on audiobook. I had to find out what all the fuss was about! I enjoyed it, but I found most of the characters a bit irritating (that could be the influence of the actors reading, however) and, as I said, thrillers are not my favourite genre. Into the Water is another psychological thriller about a series of mysterious drownings. Like The Girl on the Train, I think, it’s as much about the internal dramas experienced by the characters as it is about ‘events’ so I’m sure it’s gripping.

Your father's roomFinally, a little-known book that has caught my eye is Your Father’s Room by Michel Deon. Set in 1920s Paris and Monte Carlo (perfect if you’re off to France for your hols!) it is a fictionalised memoir based on the author’s own life. Looking back on his childhood in an unconventional bohemian family during the interwar period, the elderly narrator recounts how the events of his early life, including family tragedy, affected him growing up. I really need to read this; I’m writing a book myself partly based on my grandmother’s life in East London in the same period so I think I could learn a lot from how the author approaches this genre.

 

I hope you have found these suggestions helpful. If you have any of your own, I’d love to hear them. 

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