YA Book Review: “36 Questions that changed my mind about you” by Vicki Grant

This book took me straight back to being a teenager, not so much because I empathised with the central characters, but because reading it felt like a complete guilty pleasure. And I loved it!

36 questions that changed my mind about you imgThe central character, Hildy, is a slightly quirky, slightly awkward 17 year-old. She has two close friends – her best friend is Max, who is gay and fairly camp with it, and her other good friend, Xiu is much more astute, confident and successful in affairs of the heart. She confides in them extensively about her feelings and worries. Hildy has not had a boyfriend for some time and so, out of a degree of desperation signs up for a research programme which is exploring whether it is possible to facilitate a romantic relationship between two people by making them ask and answer a specific set of (36) questions. Hildy’s ‘partner’ in the programme is Paul, who, from the outset, makes it quite clear that he is only in it for the $40 fee and who is a nonchalant and frustrating participant to begin with; where Hildy makes an effort to answer the questions truthfully and fully, Paul is uninterested and uncooperative, and obfuscates throughout. Their first session ends with Hildy throwing a tropical fish at Paul that she had bought for her younger brother on the way to the meeting.

Hildy’s violent reaction to Paul’s behaviour is clearly sobering to him and he contacts her afterwards to apologise. They continue their interaction and to work through the questions via social media messaging and eventually agree to meet. Hildy’s home life is complicated, however; her parents are going through a difficult time in their marriage (she doesn’t realise why at first, although this is revealed towards the end). Her mother is a hospital emergency doctor and her father the Principal of her school. She has an older brother, with whom her relationship is somewhat distant, and a 12 year-old younger brother, towards whom she is very protective, especially as she feels he is suffering most from the troubles at home.

Slight spoiler alert….if you don’t want to know any more about the plot don’t read the next two paragraphs, though I won’t give away the full ending.

Paul also has his fair share of troubles; as their relationship develops, he confides in Hildy that his mother (who was a single parent) died in a car accident when he was young, and that he carries some guilt for this.

A crisis at home means that Hildy fails to make the coffee shop meeting with Paul they had arranged after carefully rebuilding the rapport between them after the fish incident. Since one of Paul’s most hated things is lateness, this causes another major setback. Hildy had no way of contacting Paul because he does not carry a mobile phone. She then has to set about tracking him down, knowing very few actual facts about him.

The usual question of whether the boy gets the girl/girl gets the boy, hangs over the rest of the book right to the final page.

The book has an interesting style, which I think will appeal to the target audience (13-15 year olds), with some chapters written in prose style, while those sections which make up the interactions between Paul and Hildy are written like dialogue in a drama. This writing style variation seems to be quite common now in YA books, I guess because it makes them a bit easier to read for an age group traditionally seen as having more limited attention spans. It does indeed make it an easy quick-fire read.

It is a romance, but it does deal with some of the issues teens face – peer pressure, how to deal with worries at home, social anxiety, awkwardness interacting with others in whom you are romantically interested.

I thoroughly enjoyed reading this book and recommend if your teenager would like something light and unchallenging to read. Will probably appeal more to girls.

How do you feel about your teens reading light romantic novels? Is it okay or do you wish they read weightier material?

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Book reviews: Super-readable YA fiction

It’s easy to get young kids reading – as a parent you do all the right things: show them picture books from birth, read to them (honing your animal impersonations as you go!), read with them as they begin their own journey, take them to libraries and story circles and buy them books. But what happens when they don’t want you reading to them in bed any more? What happens when they are old enough to choose electronic devices over books? What happens when they “have” to read books at school they don’t enjoy? What happens when you’re too busy or too worn down to police the mobile phones, the tablets, the games consoles?

These challenges are particularly acute for parents of teenagers – isn’t it hard enough having teenagers in the house, without bringing in yet another source of conflict or disagreement? If this sounds familiar you might want to look into “super-readable YA” books. These are relatively short YA books, with highly-engaging contemporary themes, easy plots with the most succinct scene-setting, and high action. I read a couple recently which I can recommend. What is more, these two have a specific typeface and are printed on paper with limited ‘ghosting’ (where you can see the text on the reverse of the page through the paper) making them highly suitable for kids with, for example, dyslexia.

Grave Matter by Juno Dawson

Grave Matter imgJuno is a widely-published author, Queen of Teen 2014 and member of the LGBT community. The story begins with a funeral, for Eliza, girlfriend of central character, Samuel. Eliza was killed in a car accident in which Samuel was driving. He is grief-stricken and finds himself in conflict with his family, who do not understand his torment. Samuel seeks out the estranged sister of his vicar father, with whom he cut off contact after she began to dabble in the supernatural. Through his Aunt Marie, Samuel enters a world where he can bring Eliza back to life, but at a deadly price.

This book will appeal to teens who enjoy science fiction and fantasy or have tendencies towards gothic themes. There is some light swearing and some fairly gruesome scenes as well as some challenging themes so I would recommend for 15+. It is ultimately about accepting realities and coping with bereavement.

The Last Days of Archie Maxwell by Annabel Pitcher

Last Days of Archie Maxwell imgI found this grittier and rather more challenging than Grave Matter. It would suit teens who enjoy social realism or who may be coming to terms with difficult family relationships or with issues around sexuality. The book opens with Archie’s parents announcing they are to separate. Archie’s sister suspects it is because their father is gay. This is going on in the background, but Archie also has issues at school. He is part of a gang with some of the cooler kids, but who are actually unpleasant bullies. He befriends one of the more desirable girls at school, Tia, about which he is mercilessly teased by the other lads. Tia’s brother committed suicide on the railway line near Archie’s house, a year earlier, and he finds himself telling her that he saw her brother just before the day he killed himself, because she seems to need this to comfort her in her grief. As a result they become close. Thus, Archie finds himself sucked into lying, whilst his own home life seems to be falling apart.

Archie ultimately contemplates suicide himself and this is where (as a parent of a teenager) I found the book very challenging. Spoiler alert: he doesn’t do it! I guess this will be helpful to teens who may themselves be suffering from depression, as we see the disastrous after-effects of suicide for those left behind (Tia’s brother) and how it ultimately solves nothing. Jared, the openly gay school student in the book is a great role-model, confident, self-assured and who faces down the bullies, who are exposed as gutless and superficial. I enjoyed the book, but it’s quite a tough read. There is a lot of swearing and sexual language and references. On the plus side I liked how it looked at relationships from a boy’s perspective, which is quite unusual.

Both the above are published by Barrington Stoke, so take a look at their website for more suggestions for all age groups.

Can you recommend any easy books to get teens back into reading?

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What’s new in kids’ books for Spring

Last week, I posted about some of the books being published for Spring that look like good reads. This week I’ve been scouring the children’s section and here are some titles that have caught my eye.

sky song

Sky Song by Abi Elphinstone

Recommended for 8+.

Frozen lands, snow, and the animals associated with it, have long been fascinating subjects for children’s books, whether it’s CS Lewis’s Narnia, Philip Pullman’s His Dark Materials, or indeed Santa Claus, and there are a clutch of such books around at the moment. This book is set in the frozen kingdom of Erkenwald which is tyranically ruled by the Ice Queen. It is an adventure story where a girl, Eska, breaks free from a music box where she has been held prisoner, and her friend Flint, a young boy. Together they have the potential to break the power of the Ice Queen.

 

tinTin by Padraig Kenny

Recommended for 9+.

The cover makes me think this could be a modern day Wizard of Oz. It’s a debut novel from an Irish author and the central character is Christopher, an orphan who works for an engineer who manufactures ‘mechanicals’, a kind of robot. These become Christopher’s best friends and with them he sets out on a journey, following a devastating accident, and discovers things about himself and about what it means to be human.

 

the light jarThe Light Jar by Lisa Thompson

Recommended for 9-12.

Lisa Thompson’s first book, The Goldfish Boy, about a boy suffering from debilitating OCD, was hugely popular and has been shortlisted for Waterstones Children’s Book Prize 2018. This follow-up deals with similarly contemporary issues. Nate and his mother leave their home in the middle of the night. Nate’s mother does not explain why, but Nate thinks it has to do with her boyfriend Gary. When Nate’s Mum goes out for groceries and does not return Nate finds himself alone. He receives a visit from an old friend and between them they go on an adventure which may or may not help Nate resolve his troubles and be reunited with his Mum.

 

the-unpredictability-of-being-humanThe Unpredictability of Being Human by Linni Ingemundsen

Recommended for Young Adult readers

In this debut novel from a young Norwegian author, the central character is 15 year-old Malin who is struggling to cope with her dysfunctional family. Her father seems always angry, her mother has a drink problem and her older brother is remote, XBox-obsessed and gets into trouble. She also struggles with friendships at school until she finally meets Hanna, a girl with problems of her own, and together they navigate the challenges of growing up. A novel about fitting-in and finding your own way, against the odds, that will resonate with young female teens.

 

the final sixThe Final Six by Alexandra Monir

Recommended for 13+

It can be hard to find reading material that appeals to teenage boys, but this one might do the trick. Due out in early March it is action-packed science fiction, and has already been bought by Sony pictures for a film adaptation. Leo and Naomi are selected from among the world’s brightest teenagers for a mission to Europa, Jupiter’s moon, in order to establish a human colony, so grave has the threat to Earth become. As they undergo the rigorous training programme, Leo and Naomi begin to question the true motive of the mission, and become suspicious of their masters’ intentions.

 

things a bright girl can doThings A Bright Girl Can Do by Sally Nicholls

Recommended for Young Adult readers.

An appropriate one for the month in which we celebrate the extension of voting rights to some women in the UK. This novel brings together three girls, Evelyn, May and Nell, each from very different backgrounds but who find common cause in the women’s suffrage movement. Evelyn enjoys a privileged lifestyle but resents the fact that the only expectation of her in life is to marry according to her family’s wishes, while her brother gets to go to university. May and Nell, from very different backgrounds, meet and fall in love, strictly forbidden at that time, and face their own challenges but are equally moved by the cause for women’s equality. This novel follows their separate stories whilst exploring the issues of the suffrage movement in the context of the era.

I hope there is something here that might pique the interest of some young people you know. Take them along to the bookshop or library to find out. And if they do read any of them, I’d love to hear what they think.

What books for kids have you seen that appeal to you?

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Book review: “Just Fly Away” by Andrew McCarthy

I posted earlier in the week about getting your teenagers reading in the school holidays. Well, here’s a book they might like, and the author brings back memories of my own teenage years! Andrew McCarthy is better known as an actor and director (Pretty in Pink, St Elmo’s Fire), but in recent years has turned his hand to writing. This is his second book and his first work of fiction and is aimed at teenage readers. As regular readers of this blog will know I have launched an online reading challenge through Facebook, with a different genre or theme for each month. January’s was a YA novel, for which we read The Disappearances by Emily Bain Murphy. My book club decided to follow suit and we selected Just Fly Away. Just to warn you, this review contains spoilers, as I’m writing this for parents who might be looking for reading material for their teenagers and want to know what the book is about.

Just Fly Away img2

The central character in the novel is Lucy Willows, a 15 year-old living in New Jersey with her parents and younger sister, Julie. The novel opens with the family enjoying a day out at an amusement park on the Jersey Shore. It is a normal happy existence and Lucy’s life appears to be like that of any other teenager, a mixture of the humdrum and the special where family relationships go through the usual ups and downs. Then Lucy overhears a conversation between her parents about someone her father “would be proud of” and her fear and curiosity are aroused. She confronts her parents about it and they decide it is time to reveal to their daughters that Lucy’s father had an affair some years earlier which resulted in the woman having a child. The boy, Thomas, is now eight years old and lives in the same town.

Lucy’s world is turned upside down. It is important to note at this point that whatever issues there may have been between Lucy’s parents, they have put the matter behind them, and Lucy’s mother appears to be completely reconciled to her husband’s past infidelity and to have forgiven him. It is in fact she who started the conversation with her husband about Thomas. As an adult reader, I was inclined therefore to think a) it’s the couple’s business not Lucy’s, and b) so what? If they are over it, Lucy should accept it and move on too. But that is to miss the point, and one of the aspects of the book I really liked, the fact that the story is told entirely from Lucy’s point of view. Any parents of teenagers will know that they tend to see the world entirely from their own perspective, their capacity for empathy at this stage in their development can often be quite low, particularly where their parents are concerned! Therefore it is entirely credible that Lucy should react so strongly to the news and to have the reactions she does to her parents. She hates her father at this time and seems also to despise her mother for not having left him!

An important sub-plot to the novel, and which will broaden the appeal to young people is that Lucy develops a relationship with Simon, the older brother of a school friend. Simon is ‘different’; he has some sort of learning difficulty that is not fully explained, and goes to a different school. Simon is handsome, charming, warm, sensitive, and caring. He proves to be a great support to Lucy.

Lucy is curious about Thomas and finds out where he lives. She persuades Simon to go with her and the two make contact with him, without revealing the connection. Lucy thinks this encounter might help but instead it throws her into a tailspin. One day, whilst heading out to the shops, she decides on a whim to take the train to New York City and from there to travel to her grandfather’s house in Maine, whom she has met only once previously as there has clearly been a difficult relationship between him and Lucy’s father. Her journey is more than just a series of scary late night encounters and bus rides, it is a metaphor for her growing up and away from her parents, making it on her own, with limited funds and a new-found resourcefulness. Through the contact she then has with her grandfather, she glimpses some of the challenges to be faced in parent-child relationships and it helps her to reframe the situation she finds herself in with her own parents.

Spoiler alert…

Whilst Lucy is staying with her grandfather he has a massive stroke. Lucy’s father travels to Maine both to collect Lucy and to visit his Dad. Upon his arrival, Lucy’s father starts to ‘tell her off’ but it is clear that Lucy has grown out of this sort of admonishment and his reprimand seems hollow and out of step. Grandfather dies and this is an emotional element to the book, but I think this will be tolerable to teen readers because he is elderly and his peers seem to accept it as natural and not untimely. The event also serves to bring the family back together and into a new phase. Simon also makes the trip to be at the funeral for Lucy, and so he gets to meet her parents, and they seem to approve of him and accept their daughter’s maturity.

Lucy is a great character and not too feminine so I think even young male readers could identify with her. It’s a good story, easy to read and whilst Lucy, to an adult reader, might seem to overreact at times, it is a reminder that, as a parent it is important to realise that what may seem ‘small stuff’ to us can be ‘big stuff’ to them.

There is some light sexual content and occasional swearing. Recommended for 14-17 year olds and a nice read for grown-ups too!

Do you have any suggestions for YA novels for older kids to read?

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Book review: “The Disappearances” by Emily Bain Murphy

At the start of this year I set up a Facebook reading group, based on a challenge I undertook for myself last year where I read a book with a different theme each month. I have been delighted with the response and that so many people are keen to push their reading boundaries a little. The theme for January was a YA book and I chose The Disappearances by Emily Bain Murphy, a first-time American novelist. This book has had rave reviews and I’ve come across a few vlogs where the reviewers have spoken passionately about how much they loved it. I was keen to see what all the fuss was about!

The Disappearances imgThe book is set in Connecticut in 1942-43. Aila, is 16 years old when we first meet her and she has a younger brother Miles. Their mother, Juliet, has just died and their father has been called away to fight in the war. Aila and Miles are sent to live in Sterling (their mother’s birthplace) with Matilda Cliffton and her family; Matilda was Juliet’s childhood best friend. Aila is keen to take something of her mother’s with her and she finds a volume of Shakespeare’s complete works, much scribbled in, into the back of which has been placed an envelope, containing a ring Juliet always wore, and a mysterious note to an unknown person, Stefen, at the end of which Juliet signs herself ‘Viola’.

 

When Aila and Miles arrive in Sterling it quickly becomes clear that things are not as they should be. First of all, Aila notices that other townspeople seem quite hostile towards her, and that this has something to do with Juliet. She also quickly observes that there are no stars and no smells in Sterling, and that the inhabitants have no reflections. Matilda Cliffton reveals to her the curse that struck Sterling (and its two nearby ‘sister’ towns Corrander and Sheffield) some years before which means that every seven years something in their life disappears (ie stars, reflections, smells). They are due another Disappearance shortly. Over the years, Matilda’s husband, Dr Cliffton, has been instrumental in developing ‘Variants’, powders which temporarily restore the losses, and these are traded in the market in town. Thus the scene is set and Aila and her brother settle into life in Sterling. We see Aila making friends at the local high school, particularly George, Beas and Will, the Cliffton’s son, and a few enemies, namely Eliza, who has a thing for Will and whose indifference to Aila borders on antipathy.

Interspersed between the events in Sterling are short italicised chapters where we meet the dark characters of Stefen and his father Phineas. Phineas is a former grave-robber, and has served time in jail for this. He is also dying. We know that Stefen wants to find ‘the Stone’ to try and save Phineas’s life though it is not clear how it would do so. Stefen is also obsessed by birds and at the start of each of these chapters is a short description of a bird species, and its characteristics give the reader clues to the action that is taking place in Sterling.

A kind of chase commences, as Stefen goes in search of Juliet’s ring, and Aila tries to understand the root cause of the curse (suspecting that it is somehow connected with her mother). She is convinced she can also find a way to lift it, and believes clues to the mystery lie within the Shakespeare volume of her mother’s. The plot is complex and I have to confess that some elements of it left me slightly confused. However, I loved the characters, particularly Aila, who is well-developed and very credible. I also loved the handling of the relationships among the young people, particularly the dynamic between Aila and Will. The book is beautifully written and the Shakespeare references are lovely and very cleverly incorporated. It is well-researched and well-thought through. I liked the ‘fantasy’ element less, but perhaps that is because I am not a particular fan of that genre, though I can see how it would appeal to a YA reader. Also, the twist at the end (which many of the YouTube vloggers loved) left me feeling a bit cold. I just couldn’t believe in it. The pace of the book is also a little uneven; the reader is thrown into the action and the plot quite quickly, but then it slows right down and becomes less engaging before the sprint at the end. Those things aside, it’s a good read that I would recommend and I think if you do find it a bit slow, stick with it because you will be rewarded. Hence, I’m not giving spoilers on this one!

For younger readers I would recommend the 14-17 age group. The plot is complex and not likely to appeal to those under 14, and there is some romance more suited to slightly older teens.

Have you read The Disappearances? Did you think it lived up to the hype?

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The latest in YA books – books for teens

Last week, I blogged about some of the interesting new children’s titles that had caught my eye. In recent years, YA fiction has rightly developed as a genre apart from younger children’s fiction, and there are some fantastic young writers out there catering for the needs of this age group. Most adults would accept I think that the pressures on teenagers these days are numerous and new, and for many parents navigating this unknown terrain can be challenging and worrying. In the same way that children’s literature can help our little ones work through some of their fears and worries (from the monster under the bed to the impending arrival of a sibling), so YA fiction can help teenagers deal with the issues they face, when they may feel their parents just don’t understand.

Here are a few of the titles that have attracted me.

No Filter

 

Irish writer Orlagh Collins’s story No Filter covers traditional teen territory, that of first love. It tells the story of Emerald who comes from a privileged background, and appears to enjoy an outwardly perfect life. Then Emerald discovers her mother unconscious on the bathroom floor and her world begins to fall apart. She is sent off to stay with her grandmother in Ireland for the summer, where she meets Liam, and begins to reevaluate what’s important.

 

 

Just Fly AwayJust Fly Away is the debut novel from 1980s brat-pack actor, turned award-winning director and author Andrew McCarthy. It tells the story of fifteen year old Lucy who discovers that she has a half-brother, the result of an affair her father had, living in the same town. Like No Filter it is a novel about secrets and lies, as Lucy escapes to Maine to live with her grandfather, himself estranged from the family, and to work through the confusion and torment her discovery has left her with.

 

 

all the things that could go wrongFinally, on a different topic, there is All the Things that Could Go Wrong by Stewart Foster which concerns the relationship between two boys, initially at loggerheads, who find common cause when they are forced to spend time together. Alex suffers from OCD and worries about everything. His condition is so severe that he rarely leaves home. Dan is angry, because his older brother Alex has left home and he feels lost. Initially, he takes it out on Alex, whom he perceives as weak and ineffectual, but the boys’ mothers force them together on a garden building project and the understanding that develops between is healing for both.

 

I hope one of these might be of interest for your teenager. Better still, take them along to the library or bookshop and let them choose something themselves.

I’d love to hear what your teens are reading just now. 

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“Everything Everything” by Nicola Yoon

Everything Everything, first published in 2015 to great acclaim, was reissued in 2017, after the novel was made into a film, and my edition shows a still from the movie with our two main protagonists, Maddy and Olly, gorgeously pictured on the front cover. It’s a YA novel which I selected for my May reading challenge, having bought it for my teenage daughter a few weeks ago (she hasn’t read it yet!), and I absolutely loved it. I didn’t expect to enjoy it as much as I did, especially when, leafing through, the chapters looked a bit short and I saw that there were several pages with line-drawn illustrations of, for example, diary entries, notes from an exercise book, emails, set out as if they were on a screen, text conversations, etc. Hmm, I thought, all designed to sustain the digital native’s interest! Well, as is so often the case when I stray off my well-beaten literary track, I was truly humbled.

2017-06-21 11.08.32The novel opens with our central character Maddy’s eighteenth birthday. She celebrates this with her mother and her nurse, Carla; Maddy suffers from severe allergies and lives an isolated existence in her hermetically sealed home, which she has not left for many years, so these two women provide the only relationships she really has. Maddy is home schooled, receiving almost all her tuition over Skype from various tutors. Occasionally, they are allowed to tutor her in person, but only after they spend a period of time in a decontamination unit in the house, to ensure Maddy does not come into contact with any pathogens or foreign particles which might harm her. Maddy’s father and older brother were killed in an accident when Maddy was a baby and she and her mother are therefore incredibly close.

Maddy is a voracious reader and in the absence of a lived experience of the world she has framed all her perception of life outside the bubble of her home, and her tiny circle of human contact, from the books she has read. Whilst she is initially reasonably content with her life, accepting its limitations and appreciating the love of her mother and Carla, her love of books is an early hint of her desire to embrace the world. Early on, we learn that she has taught herself not to want things she cannot have:

“Wanting just leads to more wanting. There’s no end to desire.”

But then she meets Olly, when he moves into the house next door with his parents and sister, and everything (everything) changes:

“Maddy knows that this pale half-life is not really living.”

Olly has his own troubles: his father is a violent alcoholic who terrorises the rest of the family. Olly and Maddy begin to communicate by text and email, and it is clear that not only are they deeply attracted but that each fulfils an unmet need in the other. A cascade of events follows which will expose the inexorable pull of the world to the young and vulnerable Maddy, and the pointlessness of an anxious parent’s attempts to protect her child from all risk.

It is a coming-of-age novel, in that we see a young woman separating from her mother, but it is also a great novel for a parent coming to terms with the coming of age of their kids! To that extent, it is an instructive read for parties on both sides of the debate: the older generation can see how important it is for our youngsters to live, love and to learn for themselves, but the young can also see the parent’s perspective, Maddy’s mother’s fear of losing something (everything) so precious to her when she has already experienced so much loss in her life (her husband and son).

It’s a cracking story, with some clever plotting, and great themes which are beautifully handled for a younger readership. It’s well-written and well-crafted and the line drawings do add to the experience! There’s a little bit of sex, but it’s very subtly and sensitively done. Recommended for parents and teenagers alike.

If you have read this book or watched the movie, would you recommend it for teenagers? Could boys and girls alike enjoy it?

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